Miss You (The Rolling Stones song) - Wikipedia
Pleased to meet you. Hope you guess my name. But what's puzzling you. Is the nature of my game. I stuck around st. Petersburg When I saw it was a time for a. Covers of Sympathy for the Devil by The Rolling Stones on WhoSampled. Pleased to meet you, hope you guess my name, oh yeah The Rolling Stones took some serious heat for singing a song from the devil's . Cover By. Sympathy For The Devil by Emilio Rojas · Sympathy For The Devil by Ozzy Osbourne.
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Sympathy For The Devil lyrics - Rolling Stones original song - full version on Lyrics Freak
- Sympathy For The Devil Lyrics
- Miss You (The Rolling Stones song)
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Sympathy for the Devil
The singer then ironically demands our courtesy towards him, implicitly chastising the listener for our collective culpability in the listed killings and crimes.
In the documentary Crossfire HurricaneJagger stated that his influence for the song came from Baudelaire and from the Russian author Mikhail Bulgakov 's novel The Master and Margarita which had just appeared in English translation in The book was given to him by Marianne Faithfull.
In a interview with Rolling Stone, Jagger said, "I think that was taken from an old idea of Baudelaire 's, I think, but I could be wrong. Sometimes when I look at my Baudelaire books, I can't see it in there.
But it was an idea I got from French writing. And I just took a couple of lines and expanded on it. I wrote it as sort of like a Bob Dylan song. The song was originally written with the line "I shouted out 'Who killed Kennedy? Kennedy 's death on 6 Junethe line was changed to "Who killed the Kennedys?Sympathy for the devil - Acoustic cover
Brian Jones plays a mostly mixed out acoustic guitar, although in isolated tracks of the studio cut, it is audible playing along with the piano. In the book According to the Rolling Stones, Watts commented: The first time I ever heard the song was when Mick was playing it at the front door of a house I lived at in Sussex He played it entirely on his own We had a go at loads of different ways of playing it; in the end I just played a jazz Latin feel in the style of Kenny Clarke would have played on " A Night in Tunisia " — not the actual rhythm he played, but the same styling.